Because I could not stop for Death

Poems, 1890

Because I could not stop for Death,He kindly stopped for me;The carriage held but just ourselvesAnd Immortality.

We slowly drove, he knew no haste,And I had put awayMy labor, and my leisure too,For his civility.

We passed the school where children played,Their lessons scarcely done;We passed the fields of gazing grain,We passed the setting sun.

We paused before a house that seemedA swelling of the ground;The roof was scarcely visible,The cornice but a mound.

Since then 't is centuries; but eachFeels shorter than the dayI first surmised the horses' headsWere toward eternity.

As printed in Poems (First Series, 1890), from the English Wikisource transcription. Its editors, Mabel Loomis Todd and Thomas Wentworth Higginson, titled it "The Chariot", smoothed the punctuation and left out one stanza; this is that 1890 text, the one in the public domain.

Public domainThis poem is in the public domain. You may read it, copy it, recite it and publish it without asking anyone.

About the poem

Emily Dickinson wrote this around 1863 and, like almost everything she wrote, never published it. It appeared in Poems in 1890, four years after her death, in the first selection her editors drew from the eighteen hundred poems she left behind — the same editors, and the same undertaking, as "Hope" is the thing with feathers. They gave it the title The Chariot, and this page keeps their text, because it is the one in the public domain.

The poem is a carriage ride. Death calls, politely, for a woman too busy to have stopped for him, and she gets in; Immortality rides along as a third passenger. They drive slowly, in no hurry, past a school, past fields of grain, past the setting sun — a whole life going by the window at a walking pace, and already in the past tense.

The house they pause at is a grave — "a swelling of the ground", its roof barely showing — and the poem neither flinches nor explains. It ends centuries later, the speaker still in the carriage, still moving, having realised only in hindsight where the horses were always headed. Death is never frightening here; he is courteous, and that is the more unsettling thing.